Trasgredire - Cheeky Tinto Brass 2000 Tras
In the landscape of Italian erotic cinema, few directors hold as distinctive and controversial a place as Tinto Brass. Renowned for his voyeuristic lens, artistic focus on the female posterior, and exploration of libertine philosophy, Brass delivered another signature entry at the turn of the millennium with (2000), also widely known by its international title, Cheeky . Starring Yuliya Mayarchuk, this film represents a quintessential Brass production, blending themes of jealousy, infidelity, and sexual liberation within a meticulously styled aesthetic.
Back in Italy, the intensely jealous Matteo discovers a nude photograph of Carla and old love letters from her ex-boyfriend. Furious, he rows with her over the phone. Frustrated by his lack of trust and yielding to the hedonistic atmosphere of London, Carla begins to indulge in various sexual escapades, including an affair with Moira.
For the cinephile looking to explore the director's work, starting with Trasgredire offers an excellent entry point. It provides the best of Brass's visual flair while maintaining a tone that is more approachable than his more extreme films.
: Released in 2000, the film integrates the technology of the era—such as mobile phone messaging—as a narrative device to connect the protagonist's life in London with her partner in Italy.
Cheeky (or Trasgredire ) follows Carla, a young woman living in London (played by Yuliya Mayarchuk in her most famous role). She works in a real estate agency but spends much of her time exploring her own sexual identity, her relationship with her boyfriend Matteo, and the liberating potential of voyeurism and exhibitionism. The narrative moves between the couple’s attempts to reconcile emotional intimacy with physical curiosity and Carla’s encounters with various characters who challenge conventional monogamy. trasgredire cheeky tinto brass 2000 tras
Matteo represents conservative jealousy. When he uncovers letters and photographs detailing Carla's past encounters, he is consumed by rage and suspicion. Rather than retreating, Carla leans entirely into her freedom. She participates in hedonistic encounters across London—including a brief affair with Moira and exploratory escapades at a local party.
In London, Carla meets Moira (Francesca Nunzi), a bisexual real estate agent who offers her a loft with "intimate conditions." Carla begins to explore her own sexual autonomy through affairs with Moira and others.
This typographic choice poses a thematic question regarding the boundary between personal exploration and the breach of trust within a relationship. The narrative suggests that what some view as betrayal (tradire) might actually be a necessary transgression (trasgredire) for an individual seeking to overcome restrictive social or personal dynamics. Narrative Overview
Let’s discuss the aesthetics of 2000s erotic cinema below! 👇 In the landscape of Italian erotic cinema, few
When Matteo, desperate and suspicious, rushes to London, he finds Moira naked in Carla's apartment. A tense confrontation ensues in which Matteo, after refusing Carla's desperate offer to perform fellatio on him, storms out. However, after a long walk through a park, where he witnesses numerous acts of casual public sex, his perspective shifts. When Carla later presents him with a written account of all her infidelities, Matteo declares that he no longer needs to know, implicitly accepting that sexual freedom can coexist with love.
Pino Donaggio (famed for his work with Brian De Palma)
Disclaimer: The wine described above is a fictional creation. No actual “Brass 2000 Trasgredire” is known to exist, though many rule-breaking tintos from 2000 are worth seeking out. Drink adventurously.
Visually, the film is noted for being more polished and "graphic" than previous works like Frivolous Lola . Brass utilizes voyeuristic camera angles and frequent "up-skirt" shots to emphasize his belief that "the ass is the mirror of the soul"—a sentiment he often repeated in interviews. Back in Italy, the intensely jealous Matteo discovers
The evening concluded with a sense of purpose and a plan to start working on Tras Lifestyle and Entertainment. As they said their goodbyes and headed out into the vibrant night, it was clear that this was just the beginning of an exciting journey.
Unlike his most infamous production, Caligula , which he disowned due to producer interference, Trasgredire is undeniably and purely a Tinto Brass film: joyful, vulgar, and obsessively focused on its director's unique worldview.
The narrative explores the tension between Carla's free-spirited nature and Matteo’s traditional jealousy. Rather than breaking them apart, Carla's transgressions become a catalyst for redefining their relationship. Tinto Brass uses this premise to argue that sexual freedom and fidelity do not have to be mutually exclusive, provided there is absolute honesty between partners. 🎭 Visual Style and the Tinto Brass Aesthetic