Following the death of co-founder Ulises Hermosa in 1992, the band’s music took on a more melancholic, philosophical tone. Wilson Hermosa stepped up as the primary composer, and the discography expanded into new thematic territories.

Their debut album that introduced their signature sound.

Los Kjarkas are not just musicians; they are oral historians. Their discography is a map of the Bolivian heart:

Founded in 1971 by the Hermosa brothers in Capinota, Cochabamba, Los Kjarkas initially focused on preserving the authentic sounds of the Andes. Their early recordings established a signature style characterized by the use of the charango, quena, and zampoña, paired with poetic lyrics in both Spanish and Quechua. Los Kjarkas (1976)

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Estos trabajos ampliaron su audiencia en toda Sudamérica, especialmente en Perú, Ecuador, Chile y Argentina. Las canciones combinaban el romanticismo con la protesta social sutil.

Throughout their discography, Los Kjarkas has explored themes of Bolivian folklore, mysticism, and social commentary. Their music is deeply rooted in Bolivian culture, but also reflects the band's interests in psychedelic rock, electronic music, and global folk traditions. Some of their key influences include Bolivian folk music, The Beatles, Pink Floyd, and modern psychedelic rock bands like King Gizzard & the Lizard Wizard.

El Árbol de mi Destino (1992), Hermanos (1993), A los 500 Años (1994) "Ave de Cristal," "Negrita"

(1985) – Recorded following their successful tour in Asia. El amor y la libertad (1987) Chuquiagu Marka (1988)