Taboo VII: The Wild and the Innocent (1989) is an unusual installment in the long-running adult film franchise. Unlike its predecessors, which focused heavily on the "incest-porn" premise established in the 1980 original, this entry serves as a stylistic departure—or "reboot"—that explores a more romantic, soap-opera-esque narrative.
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Randy West, Lysa Thatcher, Suzannah French, and Herschel Savage. Runtime: Approximately 91 minutes. Genre: Adult/Romance/Drama. Critical Reception and Community Perspective
: The character Saundra Jo represents the ultimate untouchable archetype. She is portrayed as a shy, fiercely private individual whose quiet demeanor turns her into a primary target of pursuit for the men in her social circle.
(1989) is an unusual installment in the long-running adult film franchise, known for departing significantly from the series' established themes and narrative style. Directed by Kirdy Stevens (the series originator) and Peter Perry Jr. , it is often characterized as a "stand-alone" entry or a reboot because it abandons the incest-focused plots of the previous films. Production Background
Whether you watch it for Randy West’s unexpected guitar solo, the stunning cinematography of Kitty Shayne, or just to hear Wagner’s "Ride of the Valkyries" underscore an orgy, one thing is certain: They don’t make them like this anymore.
Taboo VII: The Wild and the Innocent (1989) stands as a testament to the power of cinema to challenge, provoke, and inspire. Its extra quality, both in terms of production and thematic ambition, sets it apart from its contemporaries and solidifies its place in the history of film. As society continues to grapple with issues of censorship, artistic freedom, and the depiction of sexuality in media, Taboo VII remains a significant, albeit complex, work that invites discussion, reflection, and critique.
With its release, fans and critics alike were eager to dive into the world of Taboo once again. The film's reputation as a provocative and unapologetic exploration of human desire has only grown over time, making it a must-see for fans of the series.
The original Taboo (1980), directed by Kirdy Stevens and starring Kay Parker, practically invented the "family taboo" subgenre of adult cinema. Its success spawned sequels throughout the 1980s, each pushing boundaries of narrative-driven erotic drama.
This explains why the film feels drastically different from the first six entries. It literally was a different movie from a different decade, retrofitted to cash in on the success of the Taboo name.
The known Taboo filmography includes:
Taboo VII: The Wild and the Innocent (1989) remains a fascinating, if divisive, entry in the Taboo saga, representing a moment where the series attempted to redefine its own boundaries, trading, in part, the dark "taboo" for the "wild."
Some critics and fans consider the film a repackaging of an earlier 1980 production titled A Woman's Dream , re-edited with new footage and titles to capitalize on the Taboo brand name.
