Etranges Exhibitions 2002 - Benjamin Beaulieu

If you have any information on the whereabouts of Benjamin Beaulieu or surviving works from Étranges Exhibitions (2002), contact the Archive of Forgotten Art.

This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later. Étranges exhibitions (TV Movie 2002) - IMDb

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Instead of uncovering a clandestine corporate handoff, their investigation takes an unexpected detour. They track Carole to a highly secretive, exclusive gathering. Upon infiltrating the event, Rachel and Angela discover that Carole isn't selling corporate data; instead, she is attending a . This narrative twist shifts the film from a standard corporate thriller into an exploration of hidden desires, exhibitionism, and the duality of private vs. public personas. The Creative Minds Behind the Camera etranges exhibitions 2002 benjamin beaulieu

The movie featured a notable ensemble cast from the contemporary French adult industry, including Angela Tiger, Maud Kennedy, and Jif. Plot Overview: Trust and Corporate Espionage

It was produced by Kerfaroc Films and has a runtime of approximately 90–91 minutes .

During the early 2000s, director Benjamin Beaulieu was a prolific creator within the specialized landscape of French adult television programming. Broadcast networks frequently commissioned high-end erotic dramas to fill premium late-night slots. Beaulieu co-directed this specific project alongside Laurent Lévy, relying on a screenplay penned by the veteran television writing duo Céline and Martin Guyot. If you have any information on the whereabouts

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: Portraying one of the central figures, Kennedy brings a fierce, commanding presence to the screen, anchoring the film’s dramatic weight.

Held at the Forum des Images (Les Halles), the 2002 "Étranges Exhibitions" was a haven for fans of fantasy, horror, and science fiction. Alongside Benjamin Beaulieu’s visual art, the festival screened rare prints and hosted retrospectives that defined a generation of French cinephiles. If you share with third parties, their policies apply

The altar held the final piece: a single mercury thermometer suspended in a glass of ice water. On the wall behind it, in chalk, the words: "Vous êtes déjà trop tard" (You are already too late).

The work is structured as a faux museum tour. The user navigates through a series of dimly lit, low-poly 3D rooms. Each “gallery” contains a single objet étrange —a hybrid creature or object assembled from Victorian medical illustrations, early webcam stills, stock photography, and scanned textures from 1970s educational films.