Peter Skerl (Virgilio Mattei credited alternatively for regional compliance) George Eastman (Luigi Montefiori) & Peter Skerl Starring
While primarily known as a rare cult title, it has been released on various home video formats over the decades, including VHS and later DVD/Blu-ray by boutique labels specializing in cult cinema. Production Context
The 1976 film Bestialità (often released under the provocative English title ) remains one of the most infamous entries in the "Eurosleaze" and Italian exploitation subgenres. Directed by Peter Skerl and co-written by the legendary exploitation veteran George Eastman (Luigi Montefiori), the film is a dark blend of drama, horror, and erotica that gained a cult following primarily through gritty VHS releases. Plot and Themes
Years later, the narrative shifts to a remote, sun-bleached Mediterranean island. Jeanine has grown up (played by ) but remains profoundly psychologically shattered by the event. She lives an isolated existence, accompanied by her own dog, and has developed a compulsive nymphomania, engaging in casual, detached encounters with various tourists who visit the island. Bestiality -Bestialita- - Peter Skerl 1976 -Vhs...
Regan argued that animals are "subjects-of-a-life" who have beliefs, desires, memory, and a sense of the future. Because they possess this inherent value, they cannot be treated as mere resources.
Find for cult and exploitation cinema collectors.
Despite its underground status, the film features a surprisingly competent pedigree of cult cinema talent: Plot and Themes Years later, the narrative shifts
2. Prove they think. 3. Protect them from pain. 4. Recognize their freedom. 5. Ask what they would choose. 6. Build an economy that can say yes.
: Has a lower rating of 2.14 / 5.0 , suggesting it may not appeal to viewers outside of dedicated exploitation collectors.
The film benefits heavily from its creative pedigree. It was co-written by Luigi Montefiori—better known by his legendary screen name George Eastman . Eastman is a towering figure in cult cinema, universally recognized for writing and starring in infamous horror landmarks like Anthropophagus (1980) and Porno Holocaust (1981). Regan argued that animals are "subjects-of-a-life" who have
What separates Bestialità from standard 1970s underground smut is its production pedigree. The film was shaped by prominent figures of the Italian exploitation golden era:
That night, Maya sat in her apartment with a cold cup of coffee and a legal pad. She had taken one course in animal law as an elective. The distinction was drilled into her: welfare versus rights . Welfare was about better cages, more space, pain relief. Rights was about ending the cage entirely. Welfare said: treat them humanely. Rights said: they are not ours to use.
