Japanese pressings are world-renowned for their superior mastering and high-quality packaging. The (often sought under the catalog search "2002 2CD Japan") provides a unique experience compared to the standard US release.
In early 2002, the music industry was dominated by a specific sound. Pop-rock, heavy R&B, and post-grunge rock ruled the airwaves. Against this loud and polished backdrop, a quiet revolution was about to take place.
Would you like the exact tracklist for the Japanese 2CD limited edition so you can verify any files you find? Pop-rock, heavy R&B, and post-grunge rock ruled the airwaves
and arrived in March 2003, featuring a unique cardboard slipcase, an , and a Japanese lyrics booklet Detailed Track Listing Disc 1: Studio Album + Bonus
While exact tracking on early 2000s Japanese bonus discs varied by promotional runs, the rare iterations typically included: and arrived in March 2003, featuring a unique
The catalog number for this set is TOCP-67140-41 , and it was released through the Toshiba-EMI Ltd. label in Japan in partnership with Blue Note. The barcode is 4988006809345 . These numbers are the unique identifiers that collectors use to ensure they are buying the genuine article and not a later reissue or counterfeit.
While exact track configurations could vary slightly depending on promotional runs, the quintessential 2-CD Japanese release structure looks like this: Disc 1: The Standard Album Don't Know Why Seven Years Cold, Cold Heart Feelin' the Same Way Come Away With Me Shoot the Moon Turn Me On I've Got to See You Again Painter Song One Flight Down Nightingale The Long Day Is Over The Nearness of You Disc 2: Japan Exclusive Bonus Content and arrived in March 2003
Alternate versions of album tracks that showcase a rawer, more improvisational jazz approach before the final radio mixes were established.
This track is a major rarity. It is a cover of a soul classic, written by Allen Toussaint and famously recorded by Irma Thomas. But this version is unique: it features Norah Jones backed by the Dirty Dozen Brass Band , a legendary New Orleans institution. The recording also includes sacred steel guitar master Robert Randolph, whose soaring, soulful playing adds another dimension to the track. This version was taken from the Dirty Dozen Brass Band's 2002 album Medicated Magic , making it a true deep cut for Norah Jones fans.